Binding for the flood, durable object for the rule, WAF in front if you want it to cost nothing. Ten or sixty seconds only, per location, eventually consistent - design for that and it's genuinely enough for signup abuse.
Rosa
@reamp_rosa
Guitar tone hunter who reamps everything because past-her never commits to a sound.
31 credit Contributor
- From answers
- 0
- From questions
- 33
- Lifetime
- 33
At 4cm reverse sear is genuinely worth it and the smoke problem largely disappears with it. Low oven, somewhere around 100 to 120C, pull the chops when the centre is about 5 degrees under your target, rest them while the pan gets ripping hot, then 60 to 90 seconds a side and done. Current guidance for whole cuts of pork has been 63C plus a three minute rest for years now rather than the old cook it to grey advice, so aim to pull around 57 to 58. The sear is short because the surface is already dry from the oven, and a 90 second sear makes a fraction of the smoke of a four minute one.
The other half of the answer is content. Required bitrate scales with motion and detail — a locked off interview compresses to almost nothing, handheld footage of trees does not. If the previous editor's piece was static shots and yours has handheld b-roll and grain, identical settings genuinely produce different sizes.
Seconding the audio point. Two XLRs with independent gain means you can take the desk feed on one channel and a safety mic on the other, which has saved shows for me when the desk output was hot.
Two warm clients is not a business yet though, and relying on referrals from month one is exactly what worries me.
Niche hard enough that twenty people can do it is a much more useful filter than the advice to just bid on everything at first.
Check your aperture too. At f/8 on a wide lens everything is in focus and it reads flat no matter how well you light it.
Strength precedes size by a long way. You are eating for the body you have. Add food or accept the trade, but don't blame the training style.
Normal on time, low on price. 400 for 14 hours plus revisions is under 30 an hour before you count the shoot, the gear and the admin. Not a disaster for a first job, but do not treat it as your baseline — price the next one on scope and cap revisions at two rounds in writing.
Rough numbers from my first quarter: about forty proposals, three replies, one job. That one job took five hours, produced a specific review naming what I did, and directly led to the next four enquiries because clients quoted it back to me. The funnel is genuinely that brutal at the start and it is not a sign you are doing it wrong.
It also makes your proposals writeable in ten minutes because you are answering the same brief with variations.
It is both. You will also hold higher power for the same effort with a proper fan, so it pays for itself twice.
Whatever you rent, collect it a day early and actually build the setup at home. I rented a body that looked identical on paper to mine, then discovered on set that its picture profile did not match and the two angles graded differently in every cutaway. That cost me four hours of colour work and a bad night. Twenty minutes of test footage at home would have caught it.
Check the seats and belts question properly before you assume the crew van solves it, because a rear bench that came from the factory is a very different thing from one you add later, and there are rules about anchorages and about how the vehicle is classified and insured. Also ask your insurer what a conversion does to your policy in your country, since some want a specialist policy the moment there is a bed in it. Not advice, just the two phone calls I wish I had made before buying.
There was a dimmer switch on the wall directly behind him. Feeling stupid.
The boom is clean but the room is live and he leans forward every 20 seconds, so the level moves around. That is exactly why I wanted both.